By: Michael “MovieBuff801″ Dennos
The Amazing Spider-Man 2 feels like a Saturday morning cartoon brought to life in the best possible way, a colorful and energetic confection of action, heart and humor that’s hugely entertaining and surprisingly involving. In terms of tone, it feels like it has more in common with Joel Schumacher’s two Batman films than the more gritty and serious-minded superhero movies of late. That sentence most likely has the majority of you already asking, “But, Michael, isn’t that a bad thing?” by now, but my answer is no. Now, I’ve never been a comic reader, but I know enough about the character of Spider-Man as presented in the comics to know that he’s a more lively hero, always ready with a sarcastic quip or observation and unafraid to taunt his foes in the face of danger. This sequel, like Spidey himself, captures an almost playful quality, but manages to be much more successful than the two aforementioned Batman debacles because it is able to carefully balance out its playfulness with some effective emotionality. The end result is a film that’s a hell of a lot more involving than I was expecting it to be.
Peter Parker (Andrew Garfield) has become perfectly happy balancing his personal life with his superheroic responsibilities. He’s also chosen to ignore the dying wish of Gwen Stacey’s (Emma Stone) father and has started a relationship with her. But said relationship becomes strained when the guilt of Peter’s actions starts haunting him, and it becomes even more strained after Gwen receives an offer for a scholarship at Oxford University. Meanwhile, Peter’s best friend, Harry Osborn (Dane DeHaan) returns to the city to take over OsCorp Industries from his dying father (Chris Cooper, in a cameo role). In so doing, though, Harry discovers that the crippling disease killing his father is hereditary, and Harry’s time is ticking away. In his desperate attempts to find a cure, Harry discovers that Spider-Man’s genetically modified blood may hold the answer for him. While all of this is going on, an OsCorp electrician named Max Dillon (Jamie Foxx), who idolizes Spider-Man after his life was briefly saved by the web-slinger one day, is turned into a blue, pulsating human electric generator after a fatal accident. Calling himself Electro, he needs to feed on electrical power to remain strong, and this turns him into New York City’s latest threat. Between Electro and an increasingly maddening Harry Osborn, the work of Spider-Man is never done.